Lens review
Sony DT 16-105 mm f/3.5-5.6
11. Summary
Pros:
- solid, tasteful and compact barrel in the same time,
- very universal and unparalleled focal lengths range,
- excellent or very good frame center image quality,
- very good frame edge image quality at shorter focal lengths,
- chromatic aberration well-controlled in the middle of the focal lengths range,
- slight astigmatism,
- sensible autofocus work,
- lens hood and pouch included.
Cons:
- very high vignetting at 16 mm,
- high distortion at 16 mm,
- the image quality at 105 mm could have been better,
- visible chromatic aberration at the extremes of the range,
- visible coma at shorter focal lengths.
The Sony DT 16-105 mm is difficult to assess. On the one hand, when we look at its performance from the perspective of a very good Zeiss’s 16-80 mm result we don’t like it much. In fact it loses practically in every category and offers instead the telephoto range wider by 25 mm (but paid with a worse light) and a price lower by around 150 $.
On the other hand, though, if we compare the tested lens to its rivals like a Canon 17-85 IS, a Nikkor 18-135 mm or a Sigma 18-125 mm, its result is not bad at all. In comparison with them it offers, in my opinion, the most universal focal lengths range and a significantly better performance in many categories.
We can sum up this test in a greatly optimistic way. When Sony launches a good lens of the17-50 f/2.8 class, it will become a system with the widest choice offered to amateur reflex cameras users in the class of universal lenses.
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