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Lens review

Sony Carl Zeiss Sonnar T* FE 35 mm f/2.8 ZA

20 August 2016
Arkadiusz Olech

7. Coma, astigmatism and bokeh

As long as you limit yourself to the smaller APS-C sensor the off-axis aberrations are not especially bothersome and images of the diode remain point-like. Still in the corner of full frame the diode is already noticeably deformed. Usually we state that it is a coma effect, throwing inside that term all other deformations as well. In order to be more precise it’s worth adding that in the case of the Sonnar the coma’s influence is actually hardly the strongest; if it was, the deformations of the diode would stretch along the radial direction. Characteristic wings which appear in photos below are a result of optical aberrations of a higher degree. The length of these wings is influenced by the sagittal compound of oblique spherical aberration and their final shape is determined by tangential and sagittal compounds of the field curvature.

It’s also worth mentioning that all these aberrations are very nicely damped down by stopping down the aperture. By f/4.0, even in the very corner of the frame, the diode is already only slightly deformed.

Center, f/2.8 Corner APS-C, f/2.8 Corner FF, f/2.8
Sony Carl Zeiss Sonnar T* FE 35 mm f/2.8 ZA - Coma, astigmatism and bokeh Sony Carl Zeiss Sonnar T* FE 35 mm f/2.8 ZA - Coma, astigmatism and bokeh Sony Carl Zeiss Sonnar T* FE 35 mm f/2.8 ZA - Coma, astigmatism and bokeh
Center, f/4.0 Corner APS-C, f/4.0 Corner FF, f/4.0
Sony Carl Zeiss Sonnar T* FE 35 mm f/2.8 ZA - Coma, astigmatism and bokeh Sony Carl Zeiss Sonnar T* FE 35 mm f/2.8 ZA - Coma, astigmatism and bokeh Sony Carl Zeiss Sonnar T* FE 35 mm f/2.8 ZA - Coma, astigmatism and bokeh


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If you take photos of a starry sky the image will be very similar to the one you saw in photos of the diode. The effect of reducing the aberrations of higher degree while stopping down the aperture to f/4.0 is perhaps a bit more distinct here; that way you can notice a bit more of real coma, still present in the very corners of the frame.

A7R II, JPEG, f/2.8, prawy górny róg kadru 1:1
Sony Carl Zeiss Sonnar T* FE 35 mm f/2.8 ZA - Coma, astigmatism and bokeh
A7R II, JPEG, f/4.0, prawy górny róg kadru 1:1
Sony Carl Zeiss Sonnar T* FE 35 mm f/2.8 ZA - Coma, astigmatism and bokeh

A relatively simple optical construction of the lens deals with the astigmatism moderately well. That aberration, understood as an average difference between horizontal and vertical MTF50 function values, reaches 13.9%. The value still can be called medium but it is dangerously close to a high level.

The appearance of out-of-focus images is not impressive. First of all, with such a price of the lens, the fact that the producer tried to save on the number of aperture blades is rather strange. There is virtually no reason for not including nine blades in the construction. Second, untypically for a Zeiss device, the light spread in the circles is characterized by onion rings and a noticeably lighter rim which appears when you stop down the aperture.

You also have to mention mechanical vignetting, impossible to avoid with such a small lens attached to a significantly big sensor. The circle in the frame corner is distinctly truncated. What’s more, that truncation still remains visible by f/5.6.

Center, f/2.8 Corner APS-C, f/2.8 Corner FF, f/2.8
Sony Carl Zeiss Sonnar T* FE 35 mm f/2.8 ZA - Coma, astigmatism and bokeh Sony Carl Zeiss Sonnar T* FE 35 mm f/2.8 ZA - Coma, astigmatism and bokeh Sony Carl Zeiss Sonnar T* FE 35 mm f/2.8 ZA - Coma, astigmatism and bokeh
Center, f/4.0 Corner APS-C, f/4.0 Corner FF, f/4.0
Sony Carl Zeiss Sonnar T* FE 35 mm f/2.8 ZA - Coma, astigmatism and bokeh Sony Carl Zeiss Sonnar T* FE 35 mm f/2.8 ZA - Coma, astigmatism and bokeh Sony Carl Zeiss Sonnar T* FE 35 mm f/2.8 ZA - Coma, astigmatism and bokeh
Center, f/5.6 Corner APS-C, f/5.6 Corner FF, f/5.6
Sony Carl Zeiss Sonnar T* FE 35 mm f/2.8 ZA - Coma, astigmatism and bokeh Sony Carl Zeiss Sonnar T* FE 35 mm f/2.8 ZA - Coma, astigmatism and bokeh Sony Carl Zeiss Sonnar T* FE 35 mm f/2.8 ZA - Coma, astigmatism and bokeh