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A history of Sony Alpha - Minolta AF 50 mm f/1.7 versus Sony DT 50 mm f/1.8 SAM
11. Summary
As it was done in the case of previous duels we can sum it up awarding two points for a win in a given test category and one point for a draw. What’s interesting the older Minolta construction scored better, winning the duel with the result of 9:7. Its good performance is due to better workmanship, lower vignetting and distortion and a bit faster, more accurate focusing mechanism. The Sony lens prevailed when it came to chromatic aberration correction and work against bright light. Also in the most important category – the image quality in the frame centre and at edges – we can announce the minimal victory of the Sony.
On the one hand it is always curious when an old lens defeats a new one. On the other hand the Minolta AF 50 mm f/1.7 is a very solid, well-done model which would be able to put even other contemporary competitors like a Canon EF 50 mm f/1.8 II or a Nikkor AF 50 mm f/1.8D in their places. You shouldn’t wonder why it beat the Sony DT 50 mm f/1.8 SAM. As the Sony’s saving grace you should mention its good frame edge performance, not yielding at all to the full frame Minolta’s performance.
Sample shots from the Minolta AF 50 mm f/1.7 lens









