Lens review

Sony Carl Zeiss Vario Sonnar 16-35 mm f/2.8 T* SSM

4 August 2009
Arkadiusz Olech

3. Build quality

Everybody, who has once held the Zeiss 24-70 mm in his/her hand, will immediately notice the similarity with the new 16-35 mm model – the same look, the same style. In my opinion, the lens is very elegant and tasteful, with the build quality difficult to fault. It starts with a metal bayonet mount and a black metal barrel. Next, we can find marked focal lengths and a wide, finely-ribbed zoom ring, which moves very smoothly and with due resistance.

Sony Carl Zeiss Vario Sonnar 16-35 mm f/2.8 T* SSM - Build quality

After the ring there is a distance scale window, with markings in both feet and meters; below, we see the lens’s parameters and the Zeiss and Sony logo, positioned on both sides. Under the Zeiss logo there is also a round autofocus mode switch (AF/MF).

Please Support Us

The coronavirus crisis has been adversely affecting many businesses and, sad but true, ours is not an exception. Despite that difficult situation we would like to preserve continuity and high quality of publications available on all our websites. Still, we are now aware it might be impossible without additional financial help. That's why we would like to ask all those who visit, read, and care about Optyczne.pl, LensTip.com i Allbinos.com for support - it's enough you send us a small sum of money via PayPal. If a lot people decide to support our websites we think we'll stand a chance and survive next months without any lasting harm. We count on your support and understanding, stay safe and be healthy.

- - - - - - - - - - - - - - - - - advertisement - - - - - - - - - - - - - - - - -

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

Moving on, we meet a manual focus ring, which is a bit narrower but also quite wide and comfortable. Of course, we must add here that neither the changes of focal lengths nor zooming will change the lens’s dimensions (the optical elements move only inside the barrel) and the 77 mm filter thread doesn’t rotate. Because of that the lens is airtight – it won’t have serious dust problems and it will cooperate with different kinds of filters seamlessly.

Sony Carl Zeiss Vario Sonnar 16-35 mm f/2.8 T* SSM - Build quality

How the new Zeiss compares with its competitors? This chart presents a Zeiss, a Canon 16-35 mm and two Nikkors: a 17-35 and a 14-24 mm, f/2.8 side by side. As you see, in this class no lens changes its physical dimensions with focal lengths change; also the minimum focus is the same for all of them but here the similarities end. The biggest front element we find in Nikkor 14-24 mm – what’s more, it is so protruding that we won’t be able to use any filters with it. The Canon’s front element is also significantly large so we will have to use filters as big as 82 mm.

The Zeiss 16-35 mm is also relatively heavy. Weighing 900 grams, it is noticeably heavier than the Canon 16-35 mm and the Nikkor 17-35 mm - it almost matches the weight of the big Nikkor 14-24 mm. This significant weight is undoubtedly due to the most complex optical construction – the Zeiss lens consists of as much as 17 elements in 13 groups. Two elements are made of the low-dispersion ED glass, three elements are aspherical. Inside the lens we can also find a circular aperture diaphragm with nine blades which can be closed to f/22.

Sony Carl Zeiss Vario Sonnar 16-35 mm f/2.8 T* SSM - Build quality

The buyer gets two caps, a petal-type lens hood and a case.

Sony Carl Zeiss Vario Sonnar 16-35 mm f/2.8 T* SSM - Build quality