Sony 50 mm f/2.8 Macro
5. Chromatic aberration
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When it comes to the lateral chromatic aberration correction we don’t have many reasons to complain. Its influence can be noticed by f/2.8 and f/4.0, where it stays at a medium level approaching high from time to time; the situation improves a lot on stopping down to f/5.6 aperture or slower.
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