As long as you stick to areas near the maximum relative aperture you can count on a sensible performance against bright light. On stronger stopping down of the aperture, however, more problems appear - you can catch easily several colourful artefacts. At the same time, when the sun is situated just outside the frame corner you can generate a very bright flare, overexposing the bigger part of your photograph and spoiling the whole frame completely. Fortunately such a situation happens only with a very specific location of your source of light relative to your frame.
Please Support Us
If you enjoy our reviews and articles, and you want us to continue our work please, support our website by donating through PayPal. The funds are going to be used for paying our editorial team, renting servers, and equipping our testing studio; only that way we will be able to continue providing you interesting content for free.
